The main challenge for Audemars Piguet’s craftsmen was to apply this surface treatment technique across the case and bracelet of the watch without altering the clean lines that define the Royal Oak’s form. It took months of trial and error between Bucci’s Florentine craftsmen and Audemars Piguet’s manufacture to alter the surface of the gold in such a way that it sparkles when catching the light, while retaining the softness and flexibility of the Royal Oak’s bracelet. It is a very delicate alchemy to operate: nothing is added, nothing is removed, but the watch is transformed.
Marking the 40th anniversary of a 1970s house icon, the launch of the Royal Oak Frosted Gold celebrates Jacqueline Dimier’s initial creation from 1976. As one of the very few female watch designers of the modern era, Jacqueline Dimier shaped the nature of many Audemars Piguet timepieces for both men and women, establishing a lasting design language that still resonates in the Le Brassus Manufacture today.